Butterfly Blouse
I had made this blouse in September for a, she liked it so, that went and got more fabrics to get 2 more made.
The first one [I wish I had taken a pic of it] was made on silk burnout chiffon in light pink, purple and beige.
I had made this blouse in September for a, she liked it so, that went and got more fabrics to get 2 more made.
The first one [I wish I had taken a pic of it] was made on silk burnout chiffon in light pink, purple and beige.
The one I’m making now is a brown, dark green, gold and maroon Ombre [the colors don’t show that well on pics, sorry] poly chiffon. It has an imprint [jacquard, I will not call it so, since it is not all over]
I use tissue paper under the fabric to cut it. Cutting chiffon [and all slippery fabric] this way makes it a lot easier to control it and not have it run all over the place. I fond a roll of tissue paper at my local supplier that I use for projects where I’m using light slippery fabrics, especially silks. I tell you having a full roll of paper is a great help, if you can find one get it.
I use tissue paper under the fabric to cut it. Cutting chiffon [and all slippery fabric] this way makes it a lot easier to control it and not have it run all over the place. I fond a roll of tissue paper at my local supplier that I use for projects where I’m using light slippery fabrics, especially silks. I tell you having a full roll of paper is a great help, if you can find one get it.
On this pic you see the lining fabric on top of tissue paper.
I had to play with the layout of the pattern some what, on this pic you could see how I over lap the pattern pieces for the under blouse [lining].
Here, it is easy to see the lay out of the top pattern, fabric and tissue paper. I placed the top [blouse] pattern on the cross grain of the fabric. The blouse been a “T” shape with out seams at the sleeves, I needed the width, and it was no problem with the fabric.
You could see on these pics, how well this looks when it is pressed. I had to admit that it does work better on silk. The first blouse had silk georgette as lining. The finish with the roll hem
All pieces cut, I start sewing the lining. First I sew the armhole; I used the ¼” roller hem foot for a clean finish at the armhole. Because this is not such a close curve, I could use the roller with no problem.
[Wow, you could really see how old is my machine on this pic, but I love this machine, is it an OLD industrial SINGLE. My supplier thinks it is one of the first industrial machines made I bought it in NYC and I think is with me for 20yrs or more . At the moment I have 3 industrial machines; 2 straight stitch, (had 3 but sold one this summer) an overlock {Willcox & Gibbs, also old}. I also have 2 home sewing machines for the zig-zag.]
You could see on these pics, how well this looks when it is pressed. I had to admit that it does work better on silk. The first blouse had silk georgette as lining. The finish with the roll hem
looked great, again, whish I had taken a pic of it.
I did not use the roll hem foot on the blouse, I wanted to have a better control when making the hem on the sleeves.
The blouse has a V neck line; I had used corded piping to clean the neck line. I made the piping with baby’s yarn [it is softer and smaller than the cording for piping]. The first blouse, since it was light beige, the white yarn was perfect for it, it did not show through the sheer fabric. Thinking about this I made small piece to see if the white would work with the dark fabric. After I saw it did not I use black yarn [Thank God, I play with crochet and knitting once in a while].
I sewed the piping to the lining first, and then sew the lining to the blouse, the piping overlap at the center front, right at the point.
No comments:
Post a Comment